Julia Radosz, a Canadian-American spinto soprano, has been celebrated for her “illustrious and flowing voice” (Kansas City Metropolis).

Her recent engagements include notable roles such as Amelia in Verdi’s Un Ballo in Maschera with the National Croatian Theater of Split, Marietta/Marie in Korngold’s Die Tote Stadt with the National Moravian-Silesian Theater, and Mimi in Puccini’s La Bohème with First Coast Opera in Florida. She also stepped in at short notice to take over the title role in Puccini’s Turandot in Valencia, Spain. Other performances in the past season included 18 performances of La Bohème throughout theaters in Spain and France, including Madrid, Paris, Segovia, and Carcassonne, as well as an orchestral performance of Turandot in Valencia. She also appeared in concert with Maryland Opera, featuring works from Fidelio, La Gioconda, and Aida. In the 2025–26 season, she will appear as Anna Sørensen in Kevin Puts’ Silent Night with Opera Orlando and in concert appearances at Smetana Hall in Prague and Palffy Palac in Slovakia.

Additional roles in her repertoire include Madama Butterfly with Raylynmor Opera, Rosalinde in Die Fledermaus at the Staller Center for the Arts, Musetta in La Bohème with Wichita Grand Opera alongside Samuel Ramey, Donna Elvira in Don Giovanni with Opera Orlando, as well as performances in Verdi’s Requiem with the Litha Symphony Orchestra and a Puccini gala with the Rhode Island Philharmonic. She is currently preparing for upcoming roles, including Lady Macbeth, Salome, and Abigaille in Nabucco.

Julia has performed with many American theaters, including Opera Naples, Annapolis Opera, Tri-Cities Opera, Caramoor Festival, Lyric Opera Baltimore, Maryland Opera, Miami Lyric Opera, and Gulfshore Opera. Her roles have spanned Suor Angelica and Lauretta in Gianni Schicchi, Antonia in Les Contes d’Hoffmann, Contessa in Le Nozze di Figaro, Donna Anna in Don Giovanni, Violetta in La Traviata, Fiordiligi in Così fan tutte, Helena in A Midsummer Night’s Dream, the Governess in The Turn of the Screw, and the title role in Carlisle Floyd’s Susannah.

Throughout her career, Julia has received numerous accolades. She has won the Grand Prize in the Jenny Lind Competition, the Connecticut Opera Competition, and the Marcella Kochanska Sembrich Vocal Competition. She has also been honored with the 5 Towns Music and Arts Foundation Competition award, a grant from The CareerBridges Foundation, second place in the Kosciuszko Foundation’s Marcella Sembrich Vocal Competition, second place in the National Federation of Music Club’s Biennial Young Artist Awards, third place in New Jersey State Opera’s Alfredo Silipigni Competition, and the Bel Canto Award at the Orpheus Competition.

Julia Radosz earned her undergraduate degree in vocal performance from Westminster Choir College and her master’s degree in opera performance from The University of Texas at Austin. She is a permanent resident of Bratislava, Slovakia, and also maintains a residence in Orlando, Florida.